Wednesday, 26 May 2010

English National Opera TOSCA, Saturday 22 May 2010

Giacomo Puccini: TOSCA
Libretto by Giuseppe Giacoso and Luigi Illica after Victorien Sardou's play LA TOSCA


Floria Tosca                                                     Amanda Echalaz

Mario Cavaradossi                                          Julian Gavin

Scarpia, Chief of Police                                 Anthony Michaels-Moore

Cesare Angelotti                                               Pauls Putnins

Sacristan                                                             Jonathan Veira
                                                                               William Robert Allenby 3, 7 July

Spoletta, a police agent                                    Christopher Turner

Sciarrone                                                             James Gower

Gaoler                                                                   Christopher Ross

Shepherd-boy                                                 Harry Stanton
                                                                            Joseph Spencer-Fry
                                                                            20, 27 May, 2, 11, 24 June, 3, 10 July

Sacristan's apprentice                               James Rich
                                                                        Teddy Favre-Gilly
                                                                        20 May 11 June

Chorus and orchestra of English National Opera
Conductor                                                             Edward Gardner

                       This is a much-heralded new production by Catherine Malfitano, herself once a notable exponent of the role.

The staging is quite conventional, not particularly spectacular except in the final moments of Act 1, in which the Cardinal's robe has an exaggeratedly long train....during the interval some of us discussed whether this was intended in a spirit of dramatic irony.

Perhaps it wasn't a particular original staging, but Malfitano's experience as a performer has evidently given her an insight into the characterisation required, for both Tosca (Amanda Echalaz) and Cavaradossi (Julian Gavin). Anthony Michaels-Moore was a little less satisfactory, for reasons I shall come to in due course.
Julian Gavin also looked the part, the audience could really believe in Cavaradossi as a young, idealistic artist; his rendition of 'Recondita armonia' was sung in an almost lightweight, carefree tone, as Cavaradossi at this stage is completely wrapped up in his art and his love, unaware of the turns events are about to take.

(In the image, you see the Sacristan with his apprentice; in the original libretto by Giacoso and Illico, the Sacristan of course doesn't have an apprentice, he just mutters to himself, but as the addition of the boy didn't detract from the drama, we can let it pass).

Gradually, as the drama unfolds, Gavin's voice becomes darker, more passionate, in his defiance of Scarpia, and the ringing tones of 'Vittoria, Vittoria!' as he manages to stagger upright - but obviously this exhausts Cavaradossi's last reserves of strength, and the henchmen drag him off.
'E lucevan le stelle' was delivered with heart-rending passion, and the orchestra, under Edward Gardner, imbued the aria with further passion, especially in the woodwinds, so that I felt tears pricking my eyelids......I love singers who are able to perform these set-pieces so that they are not just showcases for their vocal abilities (though Gavin's abilities are considerable!) but as if they really meant it, so that the audience feels Cavaradossi's suffering and despair.
 The same applies to Amanda Echalaz as Tosca. Even in the first Act, her voice has a darker quality than that of the tenor, but then she is a more passionate character....this is what Scarpia works on, of course.

Before turning to discussion of Act II, I have to say that, in comparison with the other two principals, Anthony Michaels-Moore as Scarpia was rather disappointing. His first entrance was impressive enough, but he allowed 'Tosca, tu mi fai dimenticare Iddio' to be almost swallowed up by the orchestra. We knew he was saying this, as the surtitles indicated, but - I have seen Scarpias who looked as if they were going to have an orgasm of hate, right there in the church, and in comparison Michaels-Moore seemed somewhat benign. I think the problem was that he allowed himself to fall into the trap of playing Scarpia as an unsubtle "Victoria melodrama" type villian (well, to be fair, Sardou's play IS more or less a Victorian melodrama).

However, the swaggering and posturing was more effective in the second Act, and also more convincing in the context. He sang well, but with perhaps not quite as much depth of feeling as the other two. 

I was very impressed by Echalaz's performance of "Vissi d'arte" (translated as "Love and music, these I have lived for"). As I indicated in discussion of "E lucevan le stelle", it could just be performed as a set-piece directed towards the audience, but she made more of it than this, imbuing it with great depth of feeling,and really as if it were an internal can things have ended up like this, when all I lived for was my art.....and really despairing as she realises that Scarpia is not going to allow her a way out.
Interestingly, at the end of the scene, the usual stage business of her lighting the candles for the dead Scarpia is omitted. She sets the crucifix straight on Scarpia's death, and as the last few chords sound in the orchestra, she huddles on the chair, shuddering with horror at what she has done.

The supporting roles were all well and competently sung, and the orchestral playing could hardly have been surpassed, with such taut construction and attention to detail.
This is an image of the final act, on the gloomy battlements of the Castel sant'Angelo.


Saturday, 22 May 2010

Camden Green Fair

Returning for another year - Camden's wonderful Green Fair on June 6.

There are always fascinating stalls, where you can buy organic food and drink, recycled textiles...all manner of goodies. It's held in Regent's Park - here is a link to the main web page.

Thursday, 20 May 2010

Honeybees at Canadian Opera Company

Canadian Opera Company Hosts Bee Colonies in its Opera House

This is a wonderful story, which comes under the headings of Opera AND Green campaigning!!
The Canadian Opera Company has introduced two hives onto the roof of their opera house, the Four Seasons Centre for the Performing Arts.

Here is the beekeeper, Fred Davies, introducing the bees to the Media:

Here is a link to the blog:

(I think it might be a while before we get a similar initiative at the Royal Opera House!)

Friday, 14 May 2010

The Garden Today

I am very happy with my violas - (takes my mind off the fact that David Cameron is now PM!)
I love this colour.....(this is an image from the web, but mine are exactly this colour).

There are some beautiful purple ones as well....

I have also planted a Bowles Black, which I bought from Jekkas Herb Farm. When it flowers, it should look like this....

Wednesday, 12 May 2010

Cameron becomes PM

Share photos on twitter with Twitpic

Seen at Tottenham Court Road Underground this morning!!

Saturday, 8 May 2010

Caroline Lucas, first Green MP!

Caroline Lucas is the MP for Brighton Pavillion. Absolutely wonderful news, we are all ecstatic! It was worth staying up till 6 o'clock in the morning for this!!

Here is a link to her acceptance speech:

(We are also delighted to say that the BNP lost ALL their seats in Barking and Dagenham!!!)

Saturday, 1 May 2010

The General Election 6 may 2010

I am voting Green in this election; in fact I am standing as a candidate for Fortune Green Ward (Camden) in the Local Elections, which are taking place on the same day. I am proud to say that I am a member of Green Left, a radical left alternative to the main parties.
Do you want to know why?
First, we are the only party who are prepared to invest in social housing:

 - read the manifesto here.

Gordon Brown has recently (Guardian, 30 April) gone on record as saying,

 "Housing is essentially a private sector activity, let's be honest about this. We have renovated about two million houses over the period of the last 13 years. I do not see the need for us to continue with such big renovation programmes."
He added: "If you take our capital investment we have built hospitals, we have built schools, we have built roads, we have built infrastructure. You don't need to do that a second time."

Second, we are committed to renationalising the railways.

Third, we are opposed to all cuts in public services, especially the National Health Service.

 Only Green, ecosocialist policies can achieve social and environmental justice!!